For immediate circulation.
What is the Sub Pop Podcast and why did we make it? Furthermore, you may be asking yourself, “What is this ‘Sub’ ‘Pop’ I keep hearing about?!?” You have questions, we have answers. We also have questions. (But we asked ours to the guests of the Sub Pop Podcast. That’s where you and we differ.)
Firstly: Sub Pop Records is the premier medium-sized, Seattle-based record label, and has been (in existence) since 1988. This is what people refer to as “pre-Internet.”
We are the record label with the iconic logo that releases and/or has released (and does not mind telling you about) records by such artists as Mudhoney, Nirvana, The Shins, Iron and Wine, The Postal Service, Band of Horses, Fleet Foxes, Beach House, Sleater-Kinney, Father John Misty... and many many many others, far too numerous to list here.
And then secondly: We are herewith launching The Sub Pop Podcast, where you can hear the stories from inside, outside, and adjacent to Sub Pop, straight from the source. You’ll get conversations with our artists, people who work at/with/around Sub Pop, and anyone else willing or gullible enough to talk to us. And don’t forget our sibling label Hardly Art. They get props, too.
Here’s why a podcast. It’s time to tell the Sub Pop story in our own way. But we realize the Sub Pop story is a fractally diverging, untamed thing that can’t properly be approached from just one viewpoint or in a strictly linear fashion. Everyone we’ve ever been involved with has their own “Sub Pop story,” and that’s how we’re choosing to tell it: through the people in our past, present, and maybe even future. The podcast is the perfect vehicle to try to contain this sprawl in a (we think) entertaining way. And just like Sub Pop itself, the podcast will certainly change as it grows (“certainly” because, on the 1 to 10 “we know what we’re doing” scale, we’re currently registering at about 2, maybe 2.5).
And let’s get this straight: When we say “we” are making a podcast (and we’ve been saying that a lot), we mean actual real people who really actually work at Sub Pop Records are making it. It’s produced and hosted by Alissa Atkins (long-time and indispensable Sub Pop employee) and Arwen Nicks (recently hired, no less indispensable). We even constructed a “studio” in a broom closet out of discarded blankets, secondhand burlap, and maybe a microphone or two. So you know we’re serious.
The Sub Pop Podcast: Absolutely nothing sounds better.